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again I do not think there is another Soda Stereo. It's about a way of doing things, with a passion, with a love, artistic generosity we had, for a supply coming from the seventies, where the artist was able to die on stage. In marketing, it all died down. Also, this does not mean that today there are "artists", what happens is that they are scattered around the net ... The Soda is something inexplicable. I have not the faintest idea of \u200b\u200bhow we enter the heart of the people.

Zeta Bosio.
Source: Clarín .
Thanks Luis.

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In the summer of 1995 saw the arrival of the Rolling Stones to Argentina. Pappo concert opened at five in the afternoon, in broad daylight, and at most fifteen thousand people, a figure that would quadruple the time of the Stones show. The audience was respectful Pappo, but the last day something happened out of the routine: Pappo invited to play at his fellow Riff. They did four songs and the stage collapsed. There seemed to be a connection to the repertoire of Riff was much stronger than that of the public with Pappo solo material. "George Bray was a friend of ours," says Michel Peyronel-family was English and spoke the language perfectly. So when a band came out, he always hired the producers to have as link. When the Stones first came, George fulfilled that role. The opening act Mice were natural and the leads are shat laughing playing to see what the subject matter was labored Mice were doing. And we were the guests a day at the show Pappo's Blues. And George said they were going to meet the real Rolling Stones Argentina. And it appeared the entire crew the Stones to check the band, because we had an impressive intensity. The deployment of energy that night was tremendous. "Fragment

Pappo, suburban man, Sergio Marchi.

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The voice of the guy sitting in your new home becomes inaudible at times. He has that kind of look that would enact peaceful a grandmother: "You can not kill a fly." However, Andrés Ciro often becomes a rate of three times per week in vigilante hired by fleas, ants and cockroaches. The boy, who for seven years is the leader of Lice closed for two stage straining for others and declared its autonomy exterminator put on her team. "The biggest advantages are that laburo on my own, I organize myself and then I make a difference. Although I have good vibes with the bugs, like cockroaches say you follow me giving the same disgust that the first day, mostly black, or tell you when they hit the ceiling. "
The biggest threat, of course, are not bugs but their customers." There are some who are you to cry ' What do you bring the food? More and more, 'and it turns out that the guys are those filthy, "he says with a laugh. Beyond a cranky morning start, Andrew ensures that no live their working musician condition as a burden." It has its part copada it sends you to Earth, gives you the possibility to make contact with a different reality. "Some of these talks has successfully broken later in his musical life." Those conversations, a type laburo fired from, a retiree who tells you how they are shitting "you provide them with a feeling that later emerges in the letters." cockroach is also one that has managed to wangle another one last tribute: "I dedicate a song -" Fumigator " included in Ay, Ay, Ay. the second Lice-out because it is not the same be sealed papers to work with a living being. The bugs jump, turn, come to shake and I last, I'm living through them, "he admits." Both of sprayer as SADAIC side.

Note included in the special "Putting the shoulder rock written by Analía Farjat and published in the supplement Yes of March 10, 1995. The report also Maria Fernanda Aldana appeared as a kindergarten teacher (pictured in an apron included), Topo Armetta (at that time, bassist Massacre) as a photographer and Tito Garcia, Lethal, and Soder.