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again I do not think there is another Soda Stereo. It's about a way of doing things, with a passion, with a love, artistic generosity we had, for a supply coming from the seventies, where the artist was able to die on stage. In marketing, it all died down. Also, this does not mean that today there are "artists", what happens is that they are scattered around the net ... The Soda is something inexplicable. I have not the faintest idea of \u200b\u200bhow we enter the heart of the people.

Zeta Bosio.
Source: Clarín .
Thanks Luis.

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In the summer of 1995 saw the arrival of the Rolling Stones to Argentina. Pappo concert opened at five in the afternoon, in broad daylight, and at most fifteen thousand people, a figure that would quadruple the time of the Stones show. The audience was respectful Pappo, but the last day something happened out of the routine: Pappo invited to play at his fellow Riff. They did four songs and the stage collapsed. There seemed to be a connection to the repertoire of Riff was much stronger than that of the public with Pappo solo material. "George Bray was a friend of ours," says Michel Peyronel-family was English and spoke the language perfectly. So when a band came out, he always hired the producers to have as link. When the Stones first came, George fulfilled that role. The opening act Mice were natural and the leads are shat laughing playing to see what the subject matter was labored Mice were doing. And we were the guests a day at the show Pappo's Blues. And George said they were going to meet the real Rolling Stones Argentina. And it appeared the entire crew the Stones to check the band, because we had an impressive intensity. The deployment of energy that night was tremendous. "Fragment

Pappo, suburban man, Sergio Marchi.

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The voice of the guy sitting in your new home becomes inaudible at times. He has that kind of look that would enact peaceful a grandmother: "You can not kill a fly." However, Andrés Ciro often becomes a rate of three times per week in vigilante hired by fleas, ants and cockroaches. The boy, who for seven years is the leader of Lice closed for two stage straining for others and declared its autonomy exterminator put on her team. "The biggest advantages are that laburo on my own, I organize myself and then I make a difference. Although I have good vibes with the bugs, like cockroaches say you follow me giving the same disgust that the first day, mostly black, or tell you when they hit the ceiling. "
The biggest threat, of course, are not bugs but their customers." There are some who are you to cry ' What do you bring the food? More and more, 'and it turns out that the guys are those filthy, "he says with a laugh. Beyond a cranky morning start, Andrew ensures that no live their working musician condition as a burden." It has its part copada it sends you to Earth, gives you the possibility to make contact with a different reality. "Some of these talks has successfully broken later in his musical life." Those conversations, a type laburo fired from, a retiree who tells you how they are shitting "you provide them with a feeling that later emerges in the letters." cockroach is also one that has managed to wangle another one last tribute: "I dedicate a song -" Fumigator " included in Ay, Ay, Ay. the second Lice-out because it is not the same be sealed papers to work with a living being. The bugs jump, turn, come to shake and I last, I'm living through them, "he admits." Both of sprayer as SADAIC side.

Note included in the special "Putting the shoulder rock written by Analía Farjat and published in the supplement Yes of March 10, 1995. The report also Maria Fernanda Aldana appeared as a kindergarten teacher (pictured in an apron included), Topo Armetta (at that time, bassist Massacre) as a photographer and Tito Garcia, Lethal, and Soder.

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- With regard to mood and composer. You say you want to convey joy, but suppose you're not well, and you want to convey joy. Is it possible?
- I'm always up.
- I asked you for raising the song Andrés Calamaro, "Carnival in Brazil."
- (Imitates Calamaro) " And the rhymes, rhymes, rhymes." He's old, it already was.
- In this batch of musicians with whom you associate, who do you keep watching, whom you continue to respect?
- A One True Thing, Daniel Melingo. - Charly Garcia?
- No, red.
- Why so critical?
- Because I realized that was very bad people, that music was not so good, that in addition to pulling down all his lyrics spoke of him believed to be superior to all of us. I thought it was crazy disgusting, I thought it was a bad person. Palito Ortega seemed to me that makes me want to vomit.
- That comes from now? Because I had heard that you liked the time Say No More.
- Another day.
- now say this.
- Now I see otherwise.
- Indio Solari And if you like?
- If it is to hear a very special moment, the Indian love him, obviously.
- Today plays La Renga here.
- I do not like his music.
- What groups here you like? Los Autenticos Decadentes drawing.
- The Decadent and Sponsors, nothing more.
- Just noted that you realize that all the letters of Charles talking about it and usually think that all musicians talk about themselves in letters. How about you?
- Pappo not. Pappo shared his sentiment.
- Pappo Did you meet?
- Yes, we have a couple of stories, anecdotes. We have a theme, which is the first that will go in at full blast, saying: "Hey DJ, play over the long track because there is only gays, puts the last Pappo disk. " "Let's dance!" Says Cucho, "A full sail" .

Joaquin Levinton, recently.

Source: Rock Our .

Thanks Petra.

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- At some point, Henry Symns was stand-up comedian of the group. What's certain is, peeled, squeezed you to slay the Indio Solari?
- is true. I remember one day he was drunk at the British Bar, very paranoid. Poli and the La Negra Indian were sitting at a table and do not know why, maybe a smile, I took as a personal challenge to my wretched condition. I passed the table and looked bad, I was outraged. At the turn was Enrique Symns and told him what happened. Pulled a knife, he handed me and said: "This is your chance. Go and kill him." I went out with the knife, the truth is that what you wanted was to kill the Indio Solari. I went to the place and did not know even what I was saying. There was only one time through stress, I thought as the starting point of a massacre or a fight, while they took him with surprise. They did not know what the hell was happening to this man who neither knew. Actually, yes I know, but it was blurred. And I went with the story above, some very funny ...

Gustavo Cordera.
Source: verbiage. Conversations with Bersuit Vergarabat , Yumbo Vera Rojas.

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Teacher, teacher, beloved master ...

Teachers Republic

Sale this material, with the help of trustees, for years, joins the union committed to gender equality.

is an excellent and timely proposal that, in these days of April, let's give our students know what these teachers, brave, did.

Here's the link to several formats:

Online in pdf